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''The Young Bull''〔as per Slive, 208-10, (Getty Museum biography ), Walsh, MacLaren, 314〕 ((オランダ語:De jonge stier))〔 (Fotoreproductie van een schilderij van Paulus Potter, 'De [jonge] stier' (coll. Mauritshuis), Adolphe Braun et Cie, 1886 ), Rijksmuseum. Retrieved on 4 May 2015.〕 or ''The Bull''〔(The Bull ), Mauritshuis. Retrieved on 11 December 2014.〕 ((オランダ語:De stier))〔 (De stier ), Mauritshuis. Retrieved on 11 December 2014.〕 is an oil painting of a bull by Paulus Potter. It is in the collection of the Mauritshuis in The Hague in the Netherlands. At about life-size, this is an unusually monumental animal painting that challenges the hierarchy of genres by its almost heroic treatment of an animal.〔〔Walsh; Slive, 208-10〕 The large size allows space for very detailed realism, including flies, that was both admired and criticised, especially in the 19th century.〔Walsh; Slive, 208-10〕 The painting is signed and dated 1647,〔 meaning that Potter, who was born in November 1625, was only 22 when he completed it; he died in 1654, before he reached 30.〔MacLaren, 313; Slive, 210〕 The painting was highly admired in the 18th and 19th centuries; in the 1870s the French artist and critic Eugène Fromentin asserted confidently that it, Rembrandt's ''The Night Watch'' and his ''The Anatomy Lesson of Dr. Nicolaes Tulp'' (also in the Mauritshuis) were the three most famous paintings in the Netherlands.〔Fromentin, 117. Coincidentally, Tulp was a patron of Potter, and Potter's equestrian portrait depicted his son Dirck Tulp.〕 The painting was enlarged by Potter, who added extra strips of canvas on both sides and at the top to his original composition, which just included the bull itself.〔Potter〕 The village in the background is Rijswijk, between Delft and The Hague.〔Walsh〕 Though paintings of animals in landscape were Potter's speciality, this is the largest apart from his single life-size equestrian portrait, and most are far smaller.〔MacLaren, 314〕 The cow was a symbol of prosperity to the Dutch, hitherto overlooked in art, and apart from the horse by far the most commonly shown animal in Dutch Golden Age painting; goats were used to indicate Italy. This is an enormous and famous portrait which Napoleon took to Paris (it later returned) though livestock analysts have noted from the depiction of the various parts of the anatomy that it appears to be a composite of studies of six different animals of widely different ages.〔Potter; Slive, 208-10〕 Like the equally life-size bird in ''The Threatened Swan'', the bull can also function as a symbol of the Dutch Republic. Probably not until ''Whistlejacket'', a painting of an English racehorse of a century later, is an equally monumental animal portrait to be found. ==Notes == 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The Young Bull」の詳細全文を読む スポンサード リンク
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